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Meet the VFX Producer - Roma Van Den Bergh VFX Producer, Roma Van Den Bergh, tells us her journey from a runner at the Jim Henson Creature Shop to her most recent contribution as VFX Producer on the second season of ‘Foundation’. How did you get into VFX? After film school my first job was a runner at Jim Henson’s Creature Shop. It was an amazingly creative place to work and it sparked my love of exploring ways to make the unimaginable come to life. I worked my way up to Head of Production but then took the leap into digital effects and never looked back. What gets you out of the bed in the morning? Working out how we can get that little piece of magic onto the screen within the timeframe and budgetary constraints without sacrificing any quality. Conversely, the same inspiration is also what keeps me up at night! What’s your favourite part of the job? I love my job! We are lucky in VFX that we are on a show from pre-production, shoot, post through to the grade. We take the journey with the Director and it's awe inspiring to see their vision develop and come to life. Looking back at all the films/projects you’ve made, what lessons have you learned? I’ve learned that no matter how hard the situation, there is always a solution. You just have to open your eyes to what’s possible rather than only be concerned about what’s probable. Most valuable skill? Keeping calm, humour and remembering the united goal is to make the film the best that it can be. Favourite memory of working on Foundation 2? For the shoot: Working with our fantastic team on the wonderful locations and the sets. For the post: David Goyer’s joy of seeing a creature or FX for the first time and knowing it was exactly how he’d envisioned it. Do you think the VFX industry has evolved during the pandemic or in recent years? How? VFX by its nature lends itself to remote working. However, I worry that with the reluctance to go back into the workplace both in the facilities and on the production side we are losing the valuable interaction where people can work out challenges beyond the pressure of a meeting or zoom room. This is particularly true for junior artists. Cross pollination over a coffee or a pint at the pub after work allows for cohesion in a team which in turn promotes creativity. What is your view of the UK VFX industry currently, and do you think there are any changes on the horizon for the sector? VFX by its nature is at the forefront of change. UK companies are actively developing their pipelines to explore the cutting-edge combination of LED Volume, Motion Capture, and Unreal Engine rendering. AI and what it can achieve is at a defining moment for Actors and Writers. For VFX, AI is part of our toolkit. We have to embrace it and the enormous changes that it will inevitably bring to our sector both in filming and post. You have been part of the VFX and Post Talent Agency since its birth? Why did you join initially and why are you still part of it after almost three years? VPTA is all about Harriet Donington. Unlike most Agents Harriet has had years of first-hand experience working directly in the field both vendor and client side. She is acutely aware of the stresses of production and the personalities involved in each project. Consequently, when she puts someone forward for a position, she has absolute certainty that her client is the right fit both for the project and the studio. As a result, the studios trust her judgement which in turn provides her clients the confidence to hit the ground running. Harriet absolutely optimises the phrase ‘nurturing talent’. She is also an incredibly nice and generous person with her time and energy which makes each one of her clients feel special.

< Back Michael Freedman Editor / VFX Editor / Assembly Editor Michael is a diverse and hugely talented Editor. From editing low budget films, previs, performance capture and VFX, he brings a wealth of experience, technical know-how and versatility to the table. A keen collaborator, with a sharp eye for detail, he is a brilliant Editor with a bright future. Ambitious, meticulous, hardworking and an all-round fabulous chap. View CV IMDB Previous Next

< Back Emma Watterson VFX Producer Emma is an incredible emerging VFX Producer. With years of in-house experience she is a dab hand at script breakdowns, budgeting, scheduling, politics and managing teams. Emma is currently working as a VFX Shoot Producer on a feature gaining invaluable experience adding to her skill base. Hard working, industrious, diplomatic and hugely ambitious Emma is one to watch. View CV IMDB

< Back Matthew Sullivan VFX Producer Matthew is a brilliant, technical emerging VFX Producer. With an analytical mindset he is a master at creating databases, workflow pipelines and understands the nuances of post and VFX production. Matthew has navigated virtual production and has worked both production side and in-house at networks. Prior to getting into VFX he worked as a Post Producer on documentaries. Matthew is ambitious, forward thinking, highly capable and an all-round fabulous chap. Matthew is from the US and will need a Tier 2 Working VISA. View CV IMDB

< Back Jakub Chilczuk VFX Producer & VFX Consultant Stemming from a background of post-production and short form commercials, Jakub’s stepped up to the role of Production side VFX Producer on epic TV series Black Mirror (Netflix). Due to his incredible work ethic, fabulous attitude and tenacity his career has soared. Jakub is not only hugely capable, pragmatic and diplomatic, but also a spreadsheet connoisseur with an incredible eye for detail. A phenomenal VFX Producer - A phenomenal chap. View CV IMDB Previous Next

Established by Harriet Donington in 2020, The VFX & Post Talent Agency is Europe’s only agency specialising exclusively in VFX and post-production. A boutique agency committed to discovering, developing and representing the rising stars and recognised VFX & post experts across film and TV. With integrity at the core of the business The VFX & Post Talent Agency is delighted to represent a diverse roster and are dedicated to promoting inclusivity, equality and diversity in every aspect of VFX and post-production. Meet the Team Meet the team Harriet Donington Managing Director & VFX Agent In 2010 Harriet set up the VFX division of Sara Putt Associates and spent ten years building it up to establish a hugely successful department. With natural instincts in selecting a roster of premium talent, Harriet is incredibly proud of the high standards, trajectory and success of her clients. Harriet has a proven track record of discovering, nurturing and developing the careers of VFX and post talent. Over the years accumulating a huge array of impressive client credits working with all the major networks and studios. Harriet's love of VFX blossomed in 1996 when she joined Cinesite as a PA. She swiftly joined the business development team and then spent seven years breaking down scripts, negotiating and winning international contracts, building an impressive Rolodex of contacts and acquiring a good eye for talent. Harriet jumped production side for Christopher Nolan’s Batman Begins gaining invaluable physical production experience as the VFX Coordinator. She subsequently returned in-house and work as a VFX Producer and Business Development Producer at various facilities including One of Us, Nvizible and Rainmaker. Karen Payne Post-Production Advisor Having worked on the front line of post-production for the past 12 years Karen has built a fantastic reputation for wrangling complex and challenging projects. With an instinct for talent, she has built solid relationships with networks, studios, international post facilities and most importantly crew at all levels. Karen's ability to nurture and champion individuals means that she is well placed to advise and support the agency in fostering new and emerging post-production crew and HoDs. Marsha Jennings PA & Junior Agent Marsha spent 15 years working as an Art and Photography Teacher at various high schools across London. Inspiring the youth, wrangling educational bureaucracy, and managing parents’ expectations gives her fantastic poise and foundations to become a superb Junior Agent. With her creative flare, calm disposition, and passion for film and HETV, Marsha is a fabulous addition to The VFX & Post Talent family. She is also a mother to 2 fabulous kids and an unflappable plate spinner, and a joyous human being. Sam Naismith Payroll Accountant Sam achieved a BA Hons degree in business and finance from Kingston University. Whilst raising 3 phenomenal children Sam established and ran her own book-keeping company managing the accounts for multiple companies and clients. With her incredible eye for details, analytical mindset, and calm sensibility she is a brilliant and much valued Payroll Administrator / Accountant for the company. Sam is a delightful, hardworking, conscientious and all-round fabulous lady. Stefania Dall'Armi PR Consultant After graduating in Journalism with a first-class degree (Italian being her native language), Stef started her professional career working for CNN as a Video Editor and Sportswriter. She is now studying a Master Degree in Film Production. During the pandemic, Stef helped design and set up The VFX & Post Talent Agency website and inducted the social media presence. Stef works with the agency on a part time basis looking after social media, managing and developing the website, as well as writing press releases and sharing the company news within the VFX world.

Cory McCrum Co Producer / Post Producer / Consultant Cory is a post-production veteran working across film and HETV. With decades of experience Cory has experienced every aspect of post and actively participated on the front line as the industry has evolved. Starting her career in VFX and then moving into Editorial, Cory has enjoyed several stints as a studio post executive but her true calling has been as a Post Producer. Experienced, fearless, and wholly passionate about her work, Cory will fight for the best results possible, whilst navigating and managing every aspect of post. Resourceful, collaborative, kind-hearted and an all-round fabulous human being. View CV IMDB

< Back Clare Buxton Co Producer / Post Producer With over 20 years post-production experience Clare has built a phenomenal reputation for delivering complex, VFX heavy, high-end TV series for UK and US studios. Incredibly well-connected, Clare has the resources and expertise to look after every aspect of post from hiring crew, setting up pipelines to mastering the ever-evolving list of broadcast deliverables. A brilliant problem solver, creative, pragmatic, steadfast and hard-working – complemented by a quirky sense of humour and enthusiasm. View CV IMDB Previous Next

< Back Gin Godden VFX Producer A courageous and explorative Producer, Gin’s career evolved from event management to producing music videos and animation to becoming a VFX Producer for commercials and interactive and experiential projects. Adaptable, motivational, collaborative and always keen to engage with new tools and technology. When we first joined forces, we positioned Gin as the VFX Production Manager on S3 of Britannia (Sky), leaving the door open to step up to VFX Producer. Within months Gin was promoted to VFX Producer earning her stripes and bringing a new wave of confidence. Gin is an incredible and inspirational talent. Not only is she a phenomenal emerging VFX Producer, but also a XVFX Co-Leader and a Non-Executive Board Member at Access. View CV IMDB

< Back Karen Payne Co / Post Producer / Consultant / Post Production Executive Karen has an incredible reputation for her highly organised, pragmatic, creative ability to navigate post-production from prep to final delivery across film and TV. Using her extensive knowledge and contacts Karen can setup and run elite teams and infrastructures to look after all your post needs. A scheduling connoisseur and keen collaborator, Karen’s steadfast determination and (fabulous) sense of humour are a driving force that delivers world-class result. View CV IMDB Previous Next